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UI UX Design Max Conversion

The horizon or skyline is the apparent line that separates earth from sky, the line that divides all visible directions into two categories: those that intersect the Earth’s surface, and those that do not. At many locations, the true horizon is obscured by trees, buildings, mountains, etc., and the resulting intersection of earth and sky is called the visible horizon. When looking at a sea from a shore, the part of the sea closest to the horizon is called the offing. The word horizon derives from the Greek “ὁρίζων κύκλος” horizōn kyklos, “separating circle”,from the verb ὁρίζω horizō, “to divide”, “to separate”, and that from “ὅρος” (oros), “boundary, landmark”.

Historically, the distance to the visible horizon has long been vital to survival and successful navigation, especially at sea, because it determined an observer’s maximum range of vision and thus of communication, with all the obvious consequences for safety and the transmission of information that this range implied. This importance lessened with the development of the radio and the telegraph, but even today, when flying an aircraft under visual flight rules, a technique called attitude flying is used to control the aircraft, where the pilot uses the visual relationship between the aircraft’s nose and the horizon to control the aircraft. A pilot can also retain his or her spatial orientation by referring to the horizon.

In many contexts, especially perspective drawing, the curvature of the Earth is disregarded and the horizon is considered the theoretical line to which points on any horizontal plane converge (when projected onto the picture plane) as their distance from the observer increases. For observers near sea level the difference between this geometrical horizon (which assumes a perfectly flat, infinite ground plane) and the true horizon (which assumes a spherical Earth surface) is imperceptible to the naked eye dubious – discuss but for someone on a 1000-meter hill looking out to sea the true horizon will be about a degree below a horizontal line.

BnB Designer’s Console

The horizon or skyline is the apparent line that separates earth from sky, the line that divides all visible directions into two categories: those that intersect the Earth’s surface, and those that do not. At many locations, the true horizon is obscured by trees, buildings, mountains, etc., and the resulting intersection of earth and sky is called the visible horizon. When looking at a sea from a shore, the part of the sea closest to the horizon is called the offing. The word horizon derives from the Greek “ὁρίζων κύκλος” horizōn kyklos, “separating circle”,from the verb ὁρίζω horizō, “to divide”, “to separate”, and that from “ὅρος” (oros), “boundary, landmark”.

Historically, the distance to the visible horizon has long been vital to survival and successful navigation, especially at sea, because it determined an observer’s maximum range of vision and thus of communication, with all the obvious consequences for safety and the transmission of information that this range implied. This importance lessened with the development of the radio and the telegraph, but even today, when flying an aircraft under visual flight rules, a technique called attitude flying is used to control the aircraft, where the pilot uses the visual relationship between the aircraft’s nose and the horizon to control the aircraft. A pilot can also retain his or her spatial orientation by referring to the horizon.

In many contexts, especially perspective drawing, the curvature of the Earth is disregarded and the horizon is considered the theoretical line to which points on any horizontal plane converge (when projected onto the picture plane) as their distance from the observer increases. For observers near sea level the difference between this geometrical horizon (which assumes a perfectly flat, infinite ground plane) and the true horizon (which assumes a spherical Earth surface) is imperceptible to the naked eye dubious – discuss but for someone on a 1000-meter hill looking out to sea the true horizon will be about a degree below a horizontal line.

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The horizon or skyline is the apparent line that separates earth from sky, the line that divides all visible directions into two categories: those that intersect the Earth’s surface, and those that do not. At many locations, the true horizon is obscured by trees, buildings, mountains, etc., and the resulting intersection of earth and sky is called the visible horizon. When looking at a sea from a shore, the part of the sea closest to the horizon is called the offing. The word horizon derives from the Greek “ὁρίζων κύκλος” horizōn kyklos, “separating circle”,from the verb ὁρίζω horizō, “to divide”, “to separate”, and that from “ὅρος” (oros), “boundary, landmark”.

Historically, the distance to the visible horizon has long been vital to survival and successful navigation, especially at sea, because it determined an observer’s maximum range of vision and thus of communication, with all the obvious consequences for safety and the transmission of information that this range implied. This importance lessened with the development of the radio and the telegraph, but even today, when flying an aircraft under visual flight rules, a technique called attitude flying is used to control the aircraft, where the pilot uses the visual relationship between the aircraft’s nose and the horizon to control the aircraft. A pilot can also retain his or her spatial orientation by referring to the horizon.

In many contexts, especially perspective drawing, the curvature of the Earth is disregarded and the horizon is considered the theoretical line to which points on any horizontal plane converge (when projected onto the picture plane) as their distance from the observer increases. For observers near sea level the difference between this geometrical horizon (which assumes a perfectly flat, infinite ground plane) and the true horizon (which assumes a spherical Earth surface) is imperceptible to the naked eye dubious – discuss but for someone on a 1000-meter hill looking out to sea the true horizon will be about a degree below a horizontal line.

GEMENGDE TECHNIEKEN

Werkt regelmatig in verschillende gemengde technieken.


img_1462Zonder titel nr. 1

25 x 25 cm
2016

 


img_1441Zonder titel nr. 2

25 x 25 cm
2016

 


img_1430Zonder titel nr. 3

25 x 25 cm
2016

 


img_1423Zonder titel nr. 4

(25 x 25 cm)
2016

 


img_1408Zonder titel nr. 5

25 x 25 cm
2016

 


img_1396Zonder titel nr. 6

25 x 25 cm
2016

 


img_1010
Zonder titel nr. 7

25 x 25 cm
2016

 

OLIEVERF

Vanaf een heel klein schetsje, meestal getekend met een enkele doorgaande lijn, wordt de compositie overgenomen op het (grote) doek, of het (kleinere) paneel.

Heuer tracht deze composities zoveel mogelijk te behouden bij het opwerken van het schilderij. De gelaagdheid is een belangrijk aspect in het werk. Zoeken naar een harmonieus geheel d.m.v. kleur en structuur.


3-totaal
Zonder titel nr.1

150 x 130 cm
2013

 


2-totaal
Zonder titel nr. 2

150 x 130 cm
2013

 


Waaier vlucht 2, 100 x 100 cmWaaier vlucht

(100 x 100 cm )
2012

 


dsc_0554
Bruidje

130 x 1100 cm
2010
VERKOCHT

 


Droomwens, 100 x 90 cmDroomwens

(100 x 90 cm)
2010

 

 


Wensballonnen, 110 x 110 cm

Wensballonnen

(110 x 110 cm)
2010

 

 


Koningszoon, 120 x 120 cmKoningszoon

(120x 120)
2010

 


8-totaal
Koninkrijk

50 x 50 cm
2009

 


dsc_0593
Storm

50 x 50 cm
2009
VERKOCHT

 


Boter, kaas en eieren, 130 x 150 cmBoter, kaas en eieren

(130 x 150 cm)
2009

 

 


AQUAREL

Ook bij maken van de aquarellen wordt de compositie met een enkele doorgaande lijn bepaald. Vanuit een klein ontwerpje, overgezet op het aquarelpapier.

Vervolgens wordt de aquarel opgebouwd uit vele lagen,waardoor er een intense uitstraling ontstaat.

&nsbp



Zonder titel

50 x 40
2013

6-totaal
Vaas

50 x 40
2013

dsc_0492
Vaas

50 x 40
2013

 


dsc_0242
Zonder titel

50 x 50
2011
VERKOCHT

 


DSC_0238_WEBVaas

(Verkocht)

 

 

 

PORTRET

Schildert portretten, o.a. in opdracht.


Opdracht van de Stadschouwburg Amsterdam en Theo d’OrMarlies Heuer

 

 


Marlies Heuer detail 1

 

 


Marlies Heuer detail 2

 

 


Marlies Heuer detail 3

 

 


Marlies Heuer detail 4

 

 


Marlies Heuer detail 5

 

 

Saskia Heuer

dsc_0567_portretmam

Saskia Heuer studeerde aan o.a. de Rijksacademie van Beeldende Kunsten in Amsterdam.

Naast haar werkzaamheden als schilder is zij tevens docent en illustrator.

Zij schildert voornamelijk met olieverf op grote doeken en kleine paneeltjes of karton, dit afgewisseld met periodes waarin ze aquarelleert of met gemengde technieken werkt. 

Het kan in haar werk gaan om vrij universele thema’s, maar ook om de mens als individu.
De schilderijen zijn laag op laag gegroeid.Vlakken met diepe donkere kleuren en lichtere of frivolere elementen wisselen elkaar af in de stevige composities. Deze tegenstrijdigheden maken dat de fragiliteit en kwetsbaarheid zichtbaar worden.

Saskia Heuer weet op overtuigende wijze een wereld te verbeelden waarin verstilde menselijke relaties centraal staan. Dit thema plaatst zij in monumentale en fantasierijke landschappelijke architecturen.

ILLUSTRATIES

Sinds 1987 voor verschillende tijdschriften.

Sinds 1999 vooral voor het tijdschrift Woord & Gebaar. Een tijdschrift voor doven en slechthorenden.


Exel_WEB


D&W-04_WEB


D&W-02_WEB


D&W-01_WEB


Cover-06-2010_WEB


Allerhanden-06-2011_WEB


Allerhanden-05-2011_WEB


Allerhanden-04-2011_WEB


Allerhanden-03-2011_WEB


Allerhanden-02-2011_WEB


Allerhanden-01-2012_WEB


Allerhanden-01-0-2011_WEB